Listen to Esther Rose's record, You Made It This Far, in full starting today. Pitchfork called parts of the record, "a sing-songy cadence that can package punchlines and hard truths with a cozy, cosmic wink," and notes, "Rose focuses her songwriting on self-discovery and how the passing of time shifts her understanding of people." Read more on Esther here, and nab your copy of You Made It this Far before they're all gone. If you're in the New Orleans area, Esther is playing her release show tomorrow (8/24) at The White Roach. More tour dates below!
Aug 31 - Birmingham, AL @ Saturn (w/ Christian Lee Hutchinson)
Sep 01 - Blacksburg, VA @ Panorama Ballroom
Sep 03 - Charlottesville, VA @ The Front Porch
Sep 04 - Kingston, NY @ Boitson's
Sep 5-6 - North Hillsdale, NY @ Oldtone Roots Music Festival
Sep 13 - Minneapolis, MN @ First Avenue (w/ Nick Lowe, Los Straitjackets)
Sep 14 - Iowa City, IA @ The Englert Theatre (w/ Nick Lowe, Los Straitjackets)
Sep 15 - Goshen, IN @ The Elephant Bar
Sep 16 - Kalamazoo, MI @ Old Dog Tavern
Sep 17 - Toronto, ON @ The Horseshoe Tavern (w/ Nick Lowe, Los Straitjackets)
Sep 18 - Toronto, ON @ The Horseshoe Tavern (w/ Nick Lowe, Los Straitjackets)
Sep 20 - Buffalo, NY @ The Tralf Music Hall (w/ Nick Lowe, Los Straitjackets)
Sep 21 - Millvale, PA @ Mr. Smalls Theatre (w/ Nick Lowe, Los Straitjackets)
Sep 24 - Columbus, OH @ Davidson Theatre (w/ Nick Lowe, Los Straitjackets)
Sep 25 - Indianapolis, IN @ The Hi-Fi (w/ Nick Lowe, Los Straitjackets)
Oct 01 - New Orleans, LA @ Dragon’s Den
Oct 09 - Madison, WI @ High Noon Saloon (w/ The Cactus Blossoms)
Oct 10 - Evanston, IL @ SPACE (w/ The Cactus Blossoms)
Oct 11 - Bloomington, IN @ The Bishop (w/ The Cactus Blossoms)
Oct 12 - St. Louis, MO @ Off Broadway (w/ The Cactus Blossoms)
Oct 13 - Nashville, TN @ The Basement East (w/ The Cactus Blossoms)
Oct 15 - Asheville, NC @ Grey Eagle (w/ The Cactus Blossoms)
Oct 16 - Carrboro, NC @ Cat’s Cradle (w/ The Cactus Blossoms)
Oct 17 - Charlottesville, VA @ The Southern (w/ The Cactus Blossoms)
Oct 18 - Washington, DC @ Pearl Street Warehouse (w/ The Cactus Blossoms)
Oct 19 - Brooklyn, NY @ Murmrr Theatre (w/ The Cactus Blossoms)
Oct 20 - Ardmore, PA @ Ardmore Music Hall (w/ The Cactus Blossoms)
Oct 22 - Nelsonville, OH @ Stuart’s Opera House (w/ The Cactus Blossoms)
Oct 23 - Cleveland, OH @ Beachland Ballroom (w/ The Cactus Blossoms)
Oct 24 - Ann Arbor, MI @ The Ark (w/ The Cactus Blossoms)
Oct 25 - Fort Wayne, IN @ The Brass Rail (w/ The Cactus Blossoms)
Oct 26 - Mineral Point, WI @ Mineral Point Opera House (w/ The Cactus Blossoms)
The crown toting pop-punk queen is back. Robin Edwards aka Lisa Prank, has returned to the stage with a brand spankin' new single off her upcoming record, Perfect Love Song. "Rodeo" takes us through the stages of a breakup and knowing to not fall for the same mistakes twice. Stereogum calls the lead single "chiming and assured" and that Prank's full band "helps hammer home the song’s catchy resignation." Listen to and read more about the single here, and pre-order Perfect Love Song here.
Along with an album announce, Lisa Prank has announced that her and her band may be stopping in a city near you. Check out her newest tour dates below..
10/31 Spokane, WA @ Lucky You Basement
11/01 Missoula, MT @ Zootown Arts Community Center
11/02 Bozeman, MT @ The Labor Temple
11/04 Sioux Falls, SD @ Total Drag
11/05 Minneapolis, MN @ 7th St Entry
11/06 Milwaukee, WI @ Cactus Club
11/07 Detroit, MI @ Trumbullplex
11/08 Toronto, ON @ Rec Room
11/09 Boston, MA @ O’Briens
11/11 Richmond, VA @ Gallery5
11/12 Durham, NC @ The Pinhook
11/13 Washington, DC @ Songbyrd Vinyl Lounge
11/16 Pittsburgh, PA @ Mr. Roboto Project
11/19 Nashville, TN @ DRKMTTR
11/21 Austin, TX @ Hotel Vegas
11/22 Oklahoma City, OK @ 89th Street OKC
11/23 Kansas City, MO @ miniBar
11/24 Denver, CO @ Hi-Dive
11/25 Salt Lake City, UT @ Kilby Court
11/26 Boise, ID @ The Olympic
11/30 Seattle, WA @ Sunset Tavern
12/01 Portland, OR @ Doug Fir
12/02 Arcata, CA @ Outer Space
12/03 San Francisco, CA @ Cafe du Nord
12/05 Los Angeles, CA @ Bootleg Theater Bar Stage
12/06 San Diego, CA @ Che Cafe
12/08 Reno, NV @ Holland Project
When Kesha released her lead single “Praying” two years ago, I sat and listened to it on loop for hours in my childhood bedroom crying tears of overwhelming familiarity. I had moved home to see if I could finally produce the solo album I had dreamt of for years, a part of my process I’ve been very open about. What I have been more private about is the fact that I moved home to clinically address long suppressed trauma from a summer of rape and sexual abuse I survived at 19. As it often happens in the world we live in: the trauma happened, my body decided it was too much to process, and I went about my life as if nothing had happened except for the unexpected mood swings, intense depression and anxiety, increased isolation, hyper sexual behavior, sexual numbness, disassociation and random triggers that I couldn’t connect the dots to. But otherwise things were totally fine, good and normal!
In the ensuing years I worked in small, intimate recording studios with cis male producers, desperate for access to equipment I couldn’t afford and expertise no one would let me in on. From overall condescension & gatekeeping to full-on harassment, it reached a fever pitch in Chicago while starting to self-produce my song “Heels” and working at several music venues to pay the bills. I was quickly learning that if you wanted to keep your lowest level music venue job as a marginalized person you had to shut up and let those in power treat you however it suited them that day. I do not write this to demonize any venue in particular, but rather to show how systemically corroded music venues in any city can be. In my spare time, I was working with an engineer who not only tried to sleep with me after a Good Session, but also attempted to take complete ownership over the song I had written and produced. As I was just starting to accept the reality of my past trauma and its overarching effects, I reached a breaking point. I was discreetly let go from one venue, continuously mistreated at the others, and told repeatedly by my engineer that my work somehow belonged to him. I couldn’t go anywhere music-related and not feel in some way owned by those in power. This wasn’t how music was supposed to be made. So I moved home, built out a bare bones bedroom studio, found my first ever queer engineer to work with, and entered intensive therapy to begin my recovery process.
Kesha always felt like a North Star to me. With the release of her album ‘Rainbow,’ I saw a blueprint for a survivor pushing through near impossible barricades to create an album on her own terms. ‘Rainbow’ as an album feels so rooted in the nuances of her humanity, not just some martyrdom of suffering for others to feed off of. She allows herself to go wherever her voice takes her–through overt anger and turmoil, hope and rebuilding, sexual reclamation, and the kind of resiliency only a truly great sense of humor can give you.
The reality is that every industry is riddled with people who want to abuse/harass/manipulate marginalized people for their own benefit. I let this completely stop me in my tracks for a while. And for anyone who has ever stood before the pearly gates of their dream industry frozen with fear–your work is bigger than them. I am constantly re-triggered by the big and small ways people try to undermine my power and identity, but I refuse to stop doing the one true thing that brings me healing, joy and catharsis–pop music. I only hope to pay it forward by being transparent about what my album ‘Crush on Me’ meant for me to make. It’s somewhat of a concept album about getting yourself to the point where you accept recovery over denial. For six years I tried to bury my trauma, and this album maps the turning point at which I decided to love myself enough to believe what I’ve been through and honor it.
For Pride Season, I wanted to celebrate just how deeply pop music has healed me and how it continues to uplift me when I am reminded of my trauma. While this month can be a time to party and rejoice, it can also be a painful reminder of the trauma our community (especially people of color, especially black trans women) has experienced merely because of our existence. So to my queer sibs, however you’re feeling this month, wherever you are in your journey, I made this for you. To sing it, to scream it, to scream it even louder and to move your beautiful bodies through the pain and joy of it all.
Sir Babygirl <3
Celebrate the release of Christelle Bofale's EP, Swim Team, by nabbing a copy on tape or CD today. If you're in Texas, she'll be playing alongside ANIKA at Mohawk in Austin tonight.. just saying. Read what press has said about Swim Team below.
The Congolese American songwriter and guitarist’s debut EP winds in circles, tracing vast spaces that couch thorny emotional quagmires. -Pitchfork
It glides along, guided by watery guitars and a pitter-patter of drums that sound like rain on a windowpane. It shifts from sunshine to twilight and back again. Bofale’s voice lilts into the backdrop, twisting up in it like a spell. It’s impressionistic and warm but steadfastly firm. -Stereogum
"U Ouchea” is a low-key majestic intro to her unique sound, as it softly eases into a relaxed, warmly hypnotic groove, taking its glorious time as it winds and flows like the Colorado river. -Gorilla vs Bear
It flows unpredictably, swirling delicately like the puddles that form along the shoreline, or rushing dangerously from melody to melody like a riptide. Verses and choruses exist, but the boundaries are blurry, and she seems more keen on the swells and emotional moments that come in between established structures. -Noisey